As the author of the email Jan mentioned, I should perhaps elaborate a bit on why I like this amp so much.
It excels particularly at revealing subtleties of the music in a very relaxed and enjoyable way. There is absolutely nothing Hi-Fi about it in the sense of being "in your face" but it reproduces the music in a very natural way. I find I am being absorbed into the music and thinking about and enjoying music rather than an amplifier. It appears to add no character of its own to any of the various kinds of music I have listened to so far, but reveals the space in which it was recorded in a very satisfying way. It sounds expensive like some amps I definitely can't afford such as Mark Levinson, Pass Labs and others. Its power is there when called for but it has a single ended Class A sort of refinement that makes listening a genuine pleasure.
So don't hesitate to build a pair. Jan has been a great help and although it is an unfamiliar design, it is not difficult to get it right. The only caveat is to suggest that you follow Jan's advice to build and test each stage in the order he has outlined in the Construction guide. Trouble shooting should then be easy. I built mine with regulated power supplies (Boak style from AA) as a twin monoblock. The regulators were mainly to tame an overvoltage raw supply but I am sure they do no harm. The only other point is that the bias adjustments take a while to settle and its easy to get a bit carried away and raise the bias too fast (and consequently too high). In its final setting, it took several hours to stabilise.
Thanks to Jan for a brilliant design.
